Bry Helix
The R Word: Why Reconciliation Still Makes Boardrooms Sweat Reconciliation Jan 2026 On Turning 40 in Quiet Power Personal Jan 2026 Apple Doesn't Let Villains Use MacBooks — And Other Things I Notice Culture & Media Feb 2026 IndigenAIty: Eight Parallels Between AI and Indigenous Experience Reconciliation Dec 2025
What Gilmore Girls Taught Me About Visual Storytelling (That Film School Didn't) Feb 2026 Apple Doesn't Let Villains Use MacBooks — And Other Things I Notice Feb 2026
The R Word: Why Reconciliation Still Makes Boardrooms Sweat Jan 2026 IndigenAIty: Eight Parallels Between AI and Indigenous Experience Dec 2025
On Turning 40 in Quiet Power Jan 2026

I'm Bry Helix — Two-Spirit Métis writer, reconciliation consultant, and stand-up comedian based in Vancouver. I've spent over twenty years helping organizations understand what Indigenous reconciliation actually requires, training more than 350,000 people across six continents. I also watch a lot of television and notice things other people miss.

This site is where those two versions of me coexist without apology. You'll find cultural criticism next to reconciliation writing next to personal essays, because that's how one brain actually works.

Professionally I run OCI Solutions and hold the role of Indigenous Talent Management Specialist at ICBC. My book The F Word: Indigenous Fundamentals is forthcoming. My podcast The R Word examines reconciliation in Canada through an unfiltered lens.

The through-line in everything I do is noticing what other people walk past.

What Gilmore Girls Taught Me About Visual Storytelling (That Film School Didn't)

I came to Gilmore Girls at 39, expecting to find it insufferable. What I found instead was one of the most precise pieces of class-coded visual storytelling on television — hiding in plain sight behind rapid-fire dialogue and a town full of quirky white people.

The show ran from 2000 to 2007 and looks, visually, almost identical across all seven seasons. Same sets. Same lighting. Same intro montage and same Carole King song. Where Friends — which ran a nearly identical timeline — is unrecognizable between its first and seventh seasons, Gilmore Girls chose a deliberate timelessness and never broke from it.

That's not laziness. That's Stars Hollow functioning as a character — a place suspended outside of trend and time, which is the whole point of what the show is doing emotionally.

The laptop in Lane's kitchen

In Season 6, Episode 9, Rory is at Lane's house using a laptop. It is not a Mac. Every other laptop on this show is a Mac. This is not an accident.

Apple had a product placement relationship with Gilmore Girls that was consistent and deliberate — Lorelai and Rory as Mac people is a character signifier as intentional as their coffee cups. But Apple's placement agreements have conditions. One of the documented ones: villains and morally compromised characters don't get Apple products. Another, less documented but visible in the footage: the brand follows the character's status, not just their identity.

In Season 6, Rory has dropped out of Yale. She's estranged from Lorelai. She's living at her grandparents' and then, in this scene, sitting in a band house that is visually coded as chaotic and broke. She is off her axis. And she is on a Dell.

The production is telling you she's lost before she says a word.

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